|
The Argyll Rooms (sometimes spelled Argyle) was an entertainment venue on Little Argyll Street, Regent Street, London, England, opened in 1806. It was rebuilt in 1818 due to the design of Regent Street. It burned down in 1830, but was rebuilt, but later mainly occupied by shops. It was the home of the Philharmonic Society of London from its inception in 1813 until 1830. The Argyll Rooms should not be confused with the Argyle Subscription Rooms, later part of the London Trocadero. These rooms were open as a music hall from 1849 to 1878 and were notorious as a haven for prostitutes.〔(【引用サイトリンク】title=The Oldest Profession (and others) )〕 〔(【引用サイトリンク】title=The London Trocadero, Leicester Square and Piccadilly Circus )〕 ==History== Originally, the mansion of John Campbell, 2nd Duke of Argyll stood on the east side of King Street. In 1736, the center part of the mansion was demolished to build Little Argyll Street, leaving only the recently constructed north and south wings. The north wing was subsequently occupied by Robert Raymond, 2nd Baron Raymond (1744-1757) and Lady Monoux (1757-71) before being bought by William Jolliffe (MP for Petersfield) for reputedly a low price.〔"(The Argyll Rooms, Little Argyll Street )" in the ''Survey of London: Volumes 31 and 32'', originally published by London County Council, London, 1963. Online through British History Online.〕 At Jolliffe's death, his son Hylton sold the building to Lt.-Col. Henry Francis Greville for the extraordinarily low price of £70.〔 Greville altered and added to it, and in 1806 opened it up as the "Argyll Rooms." The place was the site of the meetings of a fashionable association termed the Pic-Nics, which organized events including burlettas, vaudevilles and ballets on a small scale. In 1807, the Lord Chamberlain granted Greville an annual license to host music, dancing, burlettas, and dramatic performances at the Argyll Rooms. The license was renewed the next year, but afterwards, the license was confined to music and dancing. William Taylor, the manager of the King's Theatre in Haymarket, described the first two seasons as: "There was no Stage, beyond a small elevation for the Singers to stand upon, and … no more than four of these were employed in petit pices () of one short Act merely introductory to assemblies and Balls, and … no Dancers were ever seen, confined alone to subscribers for only 12 nights the first year and but 8 the second and last experiment there, and … no money was even taken at the doors."〔 Greville went abroad in 1812 and was obliged to hand over the Argyll Rooms to his debtor Stephen Slade. Slade conducted the business of the rooms for several years, letting them for concerts and other entertainments. During his management one of the events of interest which occurred there was a reading by Sarah Siddons, on February 10, 1813, of Shakespeare's ''Macbeth'', for the benefit of the widow of Andrew Cherry, dramatist and actor. In the same year the rooms acquired greater celebrity by being selected by the then newly formed Philharmonic Society of London as their place of performance. It seems an unlikely venue, but the Philharmonic Society may have chosen it because of the opportunity it provided as it would need to be rebuilt as part of John Nash's plan for Regent Street. In this way, prince regent George IV could show official promotion of classical music and salvage his reputation. In 1818, Slade was forced to sell by the Regent Street commissioners. Slade was awarded by a jury £23,000 as compensation (a sum considered at the time as exceedingly beyond the real value of the property), and the whole of the old building was removed and new rooms erected on the east side of Regent Street at the north-west corner of Argyll Place. The new building was designed by John Nash, and had all the defects of his manner. On the side next Regent Street was a balcony supported by eight heavy and clumsily designed caryatids. The persons by whom the new rooms were erected were twenty-one of the principal professors of music in London, who had formed themselves into an association, the Royal Harmonic Institution, for the purpose of printing the best music in the best manner and selling it at a moderate profit. This organization occupied, for the purposes of its trade, the southwestern angle of the new building (at the corner of Regent Street and Argyll Place), a circular fronted erection with a domed roof. The great expense incurred in the erection of the building, joined to other untoward events, soon led to the withdrawal of most of the original speculators, at a loss of about £1800 to each, and the place eventually fell into the hands of two of their body, Thomas Welsh and William Hawes. But differences soon arose between these two, and ultimately Hawes, by the commission of an act of bankruptcy, forced a dissolution of the partnership, and the concern remained in the hands of Welsh alone. During the Philharmonic Society's tenure of the rooms (old and new), a period of about seventeen years, many events of great interest to musicians occurred there. There, on March 6 and April 10, 1820, Louis Spohr appeared, first as violinist and last as conductor,〔Louis Spohr. ''Selbstbiographie'', vol. 2, p. 86.〕 when a baton was used for perhaps the first time at an English concert. There also on June 18, 1820, at his benefit concert, his first wife (Dorette Scheidler) made her only appearance in England (and her last on earth) as a harpist. There, on June 11, 1821, Ignaz Moscheles made his first appearance in England. In 1823, the twelve-year-old Franz Liszt played there.〔 There too Carl Maria von Weber, on April 3, 1826, two months before his decease, conducted one of the Philharmonic Society's concerts. On May 25, 1829, the youthful Felix Mendelssohn gave his first concert in England, conducting, at one of the concerts of the Philharmonic Society, his Symphony No. 1, and a month later, at the benefit concert of Drouet, the flautist, on midsummer night, June 24, produced for the first time in England his beautiful overture to ''A Midsummer Night's Dream''. Besides concerts, the rooms were let for miscellaneous performances and exhibitions. One of the most attractive of the latter was a French exhibition of dramas performed by puppets, called The French Theatre du Petit Lazary, which was given in 1828 and 1829. In 1829–1830 the rooms were tenanted by , calling himself "The Fire King," who entertained the public by entering a heated oven and cooking a steak in it, swallowing phosphorus, and so forth. During his tenure of the place, at 10 o'clock in the evening of February 6, 1830, a fire broke out, which in a short time completely destroyed the building. The building was rebuilt, but never regained its former reputation. The Philharmonic concerts were removed after the fire to the concert-room of the King's Theatre, and thence to the Hanover Square Rooms, and although a few concerts and other entertainments were occasionally given in the Argyll Rooms the place became by degrees deserted by caterers for public amusement and was in the course of a few years converted into shops. In 1919 the shops were replaced by Dickins & Jones.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Argyll Rooms」の詳細全文を読む スポンサード リンク
|